Please use this identifier to cite or link to this item: https://cir.cenieh.es/handle/20.500.12136/2207
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dc.contributor.authorIntxaurbe Alberdi, Iñaki-
dc.contributor.authorRivero, Olivia-
dc.contributor.authorMedina-Alcaide, María Ángeles-
dc.contributor.authorArriolabengoa, Martín-
dc.contributor.authorRíos Garaizar, Joseba-
dc.contributor.authorSalazar Cañarte, Sergio-
dc.contributor.authorRuiz López, Juan Francisco-
dc.contributor.authorOrtega-Martínez, Paula-
dc.contributor.authorGárate Maidagán, Diego-
dc.date.accessioned2020-12-15T16:59:54Z-
dc.date.issued2020-11-
dc.identifier.citationQuaternary International, 2020, 566-567, 163-170es_ES
dc.identifier.issn1040-6182-
dc.identifier.urihttp://cir.cenieh.es/handle/20.500.12136/2207-
dc.description.abstractVisibility has been the subject of study in Palaeolithic rock art research ever since the discovery of Altamira Cave in 1879. Nevertheless, until now, the different approaches have been based on subjective assessments, due to computational limitations for a more objective methodology. Nowadays, cutting-edge technologies such as GIS allow us to address spatial studies in caves and overcome their geomorphologically complex and closed characteristics. Here we describe an innovative methodology that uses computing tools available to any researcher to study the viewsheds of the graphic units in decorated caves. We have tested its validity on the recently discovered rock art ensemble of Atxurra Cave, in Northern Spain. We demonstrate that this technology (GIS), widely used in other fields of archaeology, especially in outdoor studies, is also useable in caverns, taking into account the complex morphologies -ceilings and diverse floor-levels, for example. These programmes have also allowed us to consider the lighting systems used by the prehistoric groups inside the cave, as well as various data previously estimated by other authors, such as the height of individuals during the European LUP. The dynamism of these tools −2.5D-, as well as the advancement of new 3D GIS technologies, will allow in the future remarkable progress in these types of structural studies for a better understanding of Palaeolithic cave art phenomena.es_ES
dc.description.sponsorshipThis work is part of the research project “Before art: social investment in symbolic expressions during the Upper Palaeolithic (B-Art)” VP27 funded by the University of Cantabria (Spain), PI: Diego Garate and “Learning and development of artistic abilities in Anatomically Modern Humans; a multidisciplinary approach (ApArt)" HAR2017-87739-P funded by the Ministry of Science, Innovation and Universities (Spain), PI: Olivia Rivero.es_ES
dc.language.isoenes_ES
dc.publisherElsevieres_ES
dc.rightsinfo:eu-repo/semantics/openAccesses_ES
dc.rightsAtribución-NoComercial-SinDerivadas 3.0 Estados Unidos de América*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/3.0/us/*
dc.subjectCave artes_ES
dc.subjectViewshedes_ES
dc.subjectArchaeological contextes_ES
dc.subjectCave geomorphologyes_ES
dc.subjectGISes_ES
dc.subjectPalaeolithices_ES
dc.titleHidden images in Atxurra Cave (Northern Spain): a new proposal for visibility analyses of Palaeolithic rock art in subterranean environmentses_ES
dc.typeArticlees_ES
dc.identifier.doi10.1016/j.quaint.2020.04.027-
dc.relation.publisherversionhttps://doi.org/10.1016/j.quaint.2020.04.027es_ES
dc.date.available2020-12-15T16:59:54Z-
Appears in Collections:Arqueología



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